TDR, Vol. 61, No. 4 (T236), Winter 2017

Edisi kali ini memuat beberapa artikel di antaranya: reclaiming the real: introduction (hal. 8). Here we are again: performing the temporality of the Brazilian transition (hal. 9). The Performative utterance “I”: theatricality and subversion of identity in the works of eyal weiser (hal. 22). Theatre of war: commemorating world war i in Belgium (hal. 40). Fandom and punchdrunk’s sleep no more: audience ethnography of immersive dance (hal. 59). Transmitting, transforming, and documenting dance in the digital environment: what dance does now that it didn’t do before (hal. 78). Does the NEA need saving? (hal. 96).