Ada beberapa artikel yang dimuat pada edisi kali ini. Ras and affect in Ramlila (and the Radheshyam Ramayan) (hal. 1). Rescuing Mulian’s mother in the Xi era: reviving ritual Xiqu in contemporary Fujian (hal. 28). Desiring spectacular discipline: aspiration, fraternal anxiety, and the allure of restraint in No’s Dojoji (hal. 49). Chinese entertainment industry, the case of folk (hal. 79). Theatre on the move: Sakurai Daizhou’s Tent Theatre in East Asia (hal. 101). 2017 black tent theatre project in Gwanghwamun square: staging tragic memory and building solidarity through public theatre (hal. 122). Mystic lear and playful hamlet: the critical cultural dramaturgy in the Iranian appropriations of Shakespearean tragedies (hal. 144).



 
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