artasiapacific, issue 137 Mar/Apr 2024

artasiapacific  edisi ini memuat tentang beberapa artikel. Editor’ letter: Moveable feasts (hlm. 22), Contributors (hlm. 25), One on One: Isaac Chong Wai on Kathe Kollwitz (hlm. 27), Dispatch: Sydney (hlm. 28), News round up: major reversals (hlm. 30), News: Palestinian artist’s retrospective canceled (hlm. 31), The point: the edge of pluralism (hlm. 32), Whispering gallery: would you be my dragon (hlm. 34), Art fair report; regions for growth (hlm. 36), Previews: 60th Venice Biennnale (hlm. 39), New currents: objects of our emotion (hlm. 42-43), People & ideas (hlm. 45), Geraldine Javier: Lightness in death (hlm. 46-48), Rpbert Zhao Renhui: Seeing the forest for the trees (hlm. 49-51), A room of my own (hlm. 52-53), Proof of personhood (hlm. 54-55), Watchful intimacies, botanicalintricacies trevor yeung (hlm. 58-65), Electric  smelly orchestra Yuko Mori (hlm. 66-73), Up close: Liu Chuang,  Hoda Afshar,  Natascha Sadr Haghighian (hlm. 74-79), The erotics of amputation: Robert Gober (hlm. 80-85), Art directory (hlm. 88), Itinerary (hlm. 90), Reviews (hlm. 91), London, Seoul, Taipei, Hong kong, Singapore, Chiang Rai, New delhi, Vienna, Millan, New York, Washington DC, Los Angeles (hlm. 92-104), Book review: critical lists (hlm. 106), Where i work: Deniz Gul (hlm. 108), The sketch: Manal Aldowayan (hlm. 112).

 
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