October, No. 164, Spring 2018

Edisi kali ini menampilkan beragam tulisan. Nam June Paik’s Etude I and the Indeterminate Origins of Digital Media Art (hal. 3). Make It Old: Hollis Frampton contra Ezra Pound (hal. 29). Presence without Identification: Vicarious photography and postcolonial figuration in Belarus (hal. 49). Legal Implications: Cameron Rowland’s rental contract (hal. 89). Animals, Ethics, and the art World (hal. 113). In Memoriam: Hubert Damisch (hal. 133).