{"id":19685,"date":"2014-10-29T10:37:30","date_gmt":"2014-10-29T03:37:30","guid":{"rendered":"https:\/\/lib.isi.ac.id\/?p=8514"},"modified":"2014-10-29T10:37:30","modified_gmt":"2014-10-29T03:37:30","slug":"the-journals-of-aesthetics-and-art-critism-volume-72-number-3-summer-2014","status":"publish","type":"post","link":"https:\/\/lib.isi.ac.id\/en\/the-journals-of-aesthetics-and-art-critism-volume-72-number-3-summer-2014\/","title":{"rendered":"The Journals of Aesthetics and Art Critism Volume 72, Number 3 Summer 2014"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"https:\/\/lib.isi.ac.id\/wp-content\/uploads\/2014\/10\/IMG_20141024_131215.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter  wp-image-8515\" alt=\"IMG_20141024_131215\" src=\"https:\/\/lib.isi.ac.id\/wp-content\/uploads\/2014\/10\/IMG_20141024_131215-550x796.jpg\" width=\"385\" height=\"557\" \/><\/a><\/p>\n<p>This issue contain some articles about aesthetics and art criticism. \u201cThe Complete Work\u201d (page 225), this article is about the complete\/incomplete distinction with respect to works of art. An artwork is complete just I case the artist has acquired a completion disposition with respect to her work-a disposition grounded in certain cognitive mechanism to refrain from making significant changes to the work. \u201cConceptual Art, Ideas, and Ontology\u201d (page 235), writer offer a new ontology of conceptual art, according to which such artworks are not ideas but artifacts imbued with ideas. Another articles are \u201cButter Knives and Screwdrivers: An intentionalist defense of radical constructivism\u201d (page 247), \u201cUpholding Standards: A Realist ontology of standard form jazz\u201d (page 277), \u201cWhat Was Abstract Art? (From the point of view of Heidegger)\u201d (page 291), \u201cNarrative and Character Formation\u201d (page 303), and \u201cEthics and Fictive Imagining\u201d (page 317).<\/p>\n<p style=\"text-align: center;\">","protected":false},"excerpt":{"rendered":"<p>This issue contain some articles about aesthetics and art criticism. \u201cThe Complete Work\u201d (page 225), this article is about the complete\/incomplete distinction with respect to works of art. An artwork is complete just I case the artist has acquired a completion disposition with respect to her work-a disposition grounded in certain cognitive mechanism to refrain [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[41],"tags":[],"class_list":["post-19685","post","type-post","status-publish","format-standard","hentry","category-jurnal-majalah-terbaru"],"featured_image_src":{"landsacpe":false,"list":false,"medium":false,"full":false},"_links":{"self":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts\/19685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/comments?post=19685"}],"version-history":[{"count":0,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts\/19685\/revisions"}],"wp:attachment":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/media?parent=19685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/categories?post=19685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/tags?post=19685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}