{"id":19683,"date":"2014-10-29T10:35:45","date_gmt":"2014-10-29T03:35:45","guid":{"rendered":"https:\/\/lib.isi.ac.id\/?p=8508"},"modified":"2014-10-29T10:35:45","modified_gmt":"2014-10-29T03:35:45","slug":"asian-theatre-journal-volume-31-number-1-spring-2014","status":"publish","type":"post","link":"https:\/\/lib.isi.ac.id\/en\/asian-theatre-journal-volume-31-number-1-spring-2014\/","title":{"rendered":"Asian Theatre Journal  Volume 31 Number 1 Spring 2014"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"https:\/\/lib.isi.ac.id\/wp-content\/uploads\/2014\/10\/IMG_20141024_131226.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter  wp-image-8509\" alt=\"IMG_20141024_131226\" src=\"https:\/\/lib.isi.ac.id\/wp-content\/uploads\/2014\/10\/IMG_20141024_131226-550x778.jpg\" width=\"385\" height=\"545\" \/><\/a><\/p>\n<p>This is an issue that exemplifies the variety of performances, covering all the major geographic areas and including modern, traditional, and modern-traditional work; there are two contrasting views of a recent Suzuki production in Taiwan. \u201cDemocratic Kabuki\u201d for a \u201cDemocratic Japan\u201d: 1945-1946 (page 103). This article briefly examines four unusual kabuki plays written and set in devastated postwar Japan (1945-1946). \u201cInnovation in No: Matsui Akira Continues a Tradition of Change\u201d (page 126), this article examines Matsui\u2019s innovations, his unusual path toward becoming a professional, and his transnational collaborations. \u201cSocialist Realism and New Subjectivities: Modern Acting in Gao Xiangjian\u2019s Cold Theatre\u201d (page 152), this article about Chinese ideas of a distinctly Chinese modernity; the specific way in which China utilized Stanislavski; debate over the status of huaju (spoken drama) and various Chinese forms of theatre; and emergent ideas about the relationship of the state, religion, and the individual provide a seething cauldron of debate. More articles about theatre can read in this issue.<\/p>\n<p style=\"text-align: center;\">\n<p style=\"text-align: center;\">","protected":false},"excerpt":{"rendered":"<p>This is an issue that exemplifies the variety of performances, covering all the major geographic areas and including modern, traditional, and modern-traditional work; there are two contrasting views of a recent Suzuki production in Taiwan. \u201cDemocratic Kabuki\u201d for a \u201cDemocratic Japan\u201d: 1945-1946 (page 103). This article briefly examines four unusual kabuki plays written and set [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[41],"tags":[],"class_list":["post-19683","post","type-post","status-publish","format-standard","hentry","category-jurnal-majalah-terbaru"],"featured_image_src":{"landsacpe":false,"list":false,"medium":false,"full":false},"_links":{"self":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts\/19683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/comments?post=19683"}],"version-history":[{"count":0,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts\/19683\/revisions"}],"wp:attachment":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/media?parent=19683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/categories?post=19683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/tags?post=19683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}