{"id":19279,"date":"2023-12-11T09:45:21","date_gmt":"2023-12-11T02:45:21","guid":{"rendered":"https:\/\/lib.isi.ac.id\/?p=19279"},"modified":"2023-12-11T09:45:21","modified_gmt":"2023-12-11T02:45:21","slug":"journal-of-adaptation-in-film-performance-vol-14-no-2-2021","status":"publish","type":"post","link":"https:\/\/lib.isi.ac.id\/en\/journal-of-adaptation-in-film-performance-vol-14-no-2-2021\/","title":{"rendered":"Journal of Adaptation in Film &#038; Performance, Vol. 14, No. 2 2021"},"content":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;19280&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;rotateInDownRight&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Editorial edisi kali ini. Richard Hand and Marta Minier (hal. 141-143). Articles. Easy rider and Thelma &amp; Louise revisited, or on experimental film remakes of the road movie (hal. 145-161). Psycho-killer: shifting spectator address from psycho to Bates Motel (hal. 163-177). Beyond the webs of ideology: Orson Welles\u2019s Othello in post-war Italy (hal. 179-194). Michael Winterbottom\u2019s the claim (2000) as a transnational and transcultural adaptation of the mayor of casterbridge (hal. 195-207). The State of the British gardern: Mike Bartlett\u2019s Albion and its Chekhovian scions (hal. 209-232). Practitioner\u2019s perspectives. Under the deerstalker: Nick Lane and Luke Barton on Sherlock Holmes and the sign of four TOM UE (hal. 233-247). Book review. Studying Shakespeare adaptation: from restoration theatre to You Tube, Pamela Bickley and Jenny Stevens (2020) (hal. 249-251).[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;19280&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;rotateInDownRight&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Editorial edisi kali ini. Richard Hand and Marta Minier (hal. 141-143). Articles. Easy rider and Thelma &amp; Louise revisited, or on experimental film remakes of the road movie (hal. 145-161). Psycho-killer: shifting spectator address from psycho to Bates Motel (hal. 163-177). Beyond the webs of ideology: Orson Welles\u2019s Othello in post-war [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[41],"tags":[],"class_list":["post-19279","post","type-post","status-publish","format-standard","hentry","category-jurnal-majalah-terbaru"],"featured_image_src":{"landsacpe":false,"list":false,"medium":false,"full":false},"_links":{"self":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts\/19279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/comments?post=19279"}],"version-history":[{"count":0,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts\/19279\/revisions"}],"wp:attachment":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/media?parent=19279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/categories?post=19279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/tags?post=19279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}