{"id":10042,"date":"2017-09-20T14:20:24","date_gmt":"2017-09-20T07:20:24","guid":{"rendered":"https:\/\/lib.isi.ac.id\/?p=10042"},"modified":"2017-09-20T14:20:24","modified_gmt":"2017-09-20T07:20:24","slug":"stravinskys-piano-genesis-of-a-musical-language","status":"publish","type":"post","link":"https:\/\/lib.isi.ac.id\/en\/stravinskys-piano-genesis-of-a-musical-language\/","title":{"rendered":"Stravinsky’s Piano: Genesis of a Musical Language"},"content":{"rendered":"

\"\" <\/a><\/p>\n

Penemua<\/span>n Stra<\/span>vinsky di a<\/span>wa<\/span>l 1920-a<\/span>n, ka<\/span>rena<\/span> komposer neokla<\/span>sik da<\/span>n pia<\/span>nis konser, bera<\/span>da<\/span> di sini untuk menja<\/span>di penimba<\/span>ng ula<\/span>ng seca<\/span>ra<\/span> keseluruha<\/span>nnya<\/span> – diliha<\/span>t da<\/span>ri perspektif hubunga<\/span>nnya<\/span> ya<\/span>ng belum perna<\/span>h terja<\/span>di sebelumnya<\/span> denga<\/span>n pia<\/span>no. Gra<\/span>ha<\/span>m Griffiths menila<\/span>i a<\/span>suha<\/span>n musik Stra<\/span>vinsky di St Petersburg denga<\/span>n peneka<\/span>na<\/span>n pa<\/span>da<\/span> pendidika<\/span>nnya<\/span> di ta<\/span>nga<\/span>n dua<\/span> guru lua<\/span>r bia<\/span>sa<\/span> ya<\/span>ng kemudia<\/span>n dia<\/span> tida<\/span>k dia<\/span>cuhka<\/span>n a<\/span>ta<\/span>u dikeca<\/span>m: Leoka<\/span>diya<\/span> Ka<\/span>shperova<\/span>, untuk pia<\/span>no da<\/span>n Rimsky-Korsa<\/span>kov, untuk instrumenta<\/span>si. Pesa<\/span>n mereka<\/span>, Griffiths berpenda<\/span>pa<\/span>t, memungkinka<\/span>n Stra<\/span>vinsky untuk merumuska<\/span>n da<\/span>ri penga<\/span>la<\/span>ma<\/span>n Rusia<\/span> ya<\/span>ng sa<\/span>nga<\/span>t intens itu seba<\/span>ga<\/span>i merek neokla<\/span>sik interna<\/span>siona<\/span>lis ya<\/span>ng didirika<\/span>n di a<\/span>ta<\/span>s tempa<\/span>t objektivita<\/span>s da<\/span>n kera<\/span>jina<\/span>n. Mengga<\/span>mba<\/span>r seca<\/span>ra<\/span> la<\/span>ngsung pa<\/span>da<\/span> ma<\/span>nuskrip komposer, Griffiths memba<\/span>ha<\/span>s da<\/span>ya<\/span> ta<\/span>rik seumur hidup Stra<\/span>vinsky denga<\/span>n ta<\/span>ndinga<\/span>n da<\/span>n denga<\/span>n proses konstruktif pia<\/span>nisme. Pia<\/span>no Stra<\/span>vinsky mengha<\/span>dirka<\/span>n kedua<\/span>nya<\/span> seba<\/span>ga<\/span>i fitur berula<\/span>ng da<\/span>ri sika<\/span>p komposisi ya<\/span>ng sela<\/span>lu ditera<\/span>pka<\/span>n Stra<\/span>vinsky pa<\/span>da<\/span> ka<\/span>rya<\/span>nya<\/span>, ba<\/span>ik ba<\/span>ha<\/span>sa<\/span> Rusia<\/span>, neokla<\/span>sik ma<\/span>upun seria<\/span>l da<\/span>n ta<\/span>npa<\/span> mema<\/span>nda<\/span>ng idiom da<\/span>n genre. <\/span><\/p>","protected":false},"excerpt":{"rendered":"

Penemuan Stravinsky di awal 1920-an, karena komposer neoklasik dan pianis konser, berada di sini untuk menjadi penimbang ulang secara keseluruhannya – dilihat dari perspektif hubungannya yang belum pernah terjadi sebelumnya dengan piano. Graham Griffiths menilai asuhan musik Stravinsky di St Petersburg dengan penekanan pada pendidikannya di tangan dua guru luar biasa yang kemudian dia tidak […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[40],"tags":[],"class_list":["post-10042","post","type-post","status-publish","format-standard","hentry","category-buku-terbaru"],"featured_image_src":{"landsacpe":false,"list":false,"medium":false,"full":false},"_links":{"self":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts\/10042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/comments?post=10042"}],"version-history":[{"count":0,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/posts\/10042\/revisions"}],"wp:attachment":[{"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/media?parent=10042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/categories?post=10042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lib.isi.ac.id\/en\/wp-json\/wp\/v2\/tags?post=10042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}